In the name of research I’ve scored a cheap woodgrain 2600 from ebay and will conduct some serious playtesting of the games mentioned in Racing The Beam, starting off with Combat, Pac-Man and Space Invaders. Then it’s onto Empire Strikes Back. Even E.T. will be tested. It’s gonna be a tough job :)

Anyhows, there are still applications been made for the 2600, albeit in a homebrew capacity. For instance, Atari 2600 OS, a point and click GUI with Pong embedded is a marvel of minimalism. While the 2600 Full Midi interface allows direct control of the VCS audio for making music, if you’re into the gritty low-bit sound!

Below is a work in progress shot from my ‘Alternative Displays’ project, it’s a 4 x 4 grid of square electromagnets. These are controlled by an Arduino and a Djuicer (a custom circuit designed especially for the workshop by 1scale1). A framed sheet of perspex goes on top of these and it contains a layer of industrial printer toner. When the magnets are switched on the the metal fibres stand up and you see a ‘pixel’ in the dust. Thanks to Mattias, Tony and David at 1scale1 for all their help making this. Next step is to have custom animations appear in the dust and have it respond to some external inputs.

Bleepmasterloop1 by kierannolan

CDs and MP3s are fine and all, but Vinyl has a charm all of its own, both soundwise and from it’s tangible form and it doesn’t look like it’s going to die out any day soon. This article from Wired suggests that vinyl will outlive cds commercially… and if there’s a power cut you could always listen to your records on this, though perhaps not at audiophile levels :)

The teachers were Glomag and BubblyFish from New York and ‘Yes, Robot‘ and Rabato from Barcelona. These guys are big names in the chiptune scene and over the course of two days provided great hands on training making tracks on the oldschool Nintendo Gameboy using Little Sound DJ and Nanoloop.

LSDJ uses a text based tracker interface, you adjust the sound parameters by changing binary values. Nanoloop is more visual and you create sounds and sequences through by selecting icons and applying them to a 4 x 4 grid of squares. Both have their pros and cons but ultimately do the same job, directly controlling the Gameboy’s unique 4 channel sound sound chip.

The 8bit maestros also performed live on stage at LABoral backed up by Barcelona VJ duo Entter, who complemented all the music by syncing up pixel graphic visuals through their own custom built flash applications. A news reporter from Madrid described the show as “Beautiful” and I’ve got to agree. I’ve been into 8bit video game sounds and graphics since I was a child, but hearing this style of music blasting through a concert PA while watching huge pixel graphic projections was on another level of greatness altogether.

Both the workshop and live show were filmed for an upcoming documentary by Lionel Brouet, who made 8 Bit Generation, so that’s going to be very interesting to see. Anyway’s I’m back home now and starting to mess with the special cartridges, the Gameboy is plugged into my Micro Cube amp and I’m beginning to make some simple loops, will post whatever happens on my myspace page. Bleep!